مطالعات فرهنگی و ارتباطات

نویسنده

عضو هیئت علمی دانشکدۀ ارتباطات دانشگاه علامه طباطبایی

چکیده

ظهور فناوری دیجیتالی در حکم نقطۀ عطفی برای صنعت سینما بود. این فناوری که تأثیر خود را به مرور بر تمامی جوانب پیش­تولید، تولید، پساتولید، و توزیع اعمال کرده، بر نحوۀ خلق معانی و ماهیت آثار سینمایی هم تأثیر داشته است. فناوری آنالوگ/سلولوییدی هم از ویژگی­های منحصربه­فردی برخوردار بوده است که به آن جایگاهی معتبر داده است. تفاوت­های شناخت­شناسانه، زیبایی­شناختی، روانشناختی، تکنیکی، روایتی، و سایر تفاوت­های این دو جنس از رسانۀ سینما موضوع تحقیقات متعددی بوده است که اطلاع از آنها برای پژوهشگران ایرانی حوزۀ رسانه و سینما ضروری است. هدف مقالۀ حاضر، که به شیوۀ توصیفی-تحلیلی تدوین شده، این است که در کنار مرور نحوۀ عملکرد فیلم­های سلولوییدی، به این موضوع بپردازد که فناوری دیجیتال دنیا را چگونه ثبت می­کند، با انسان­ها به اشتراک می­گذارد، و زمینه­ای جدید برای خلق و تجربۀ سینما فراهم می­سازد. در نهایت، آنچه حاصل می­شود شناخت و چشم­اندازی کلّی دربارۀ موقعیت این فناوری­ها و امکان پیش­بینی روند آتی در تحولات حوزۀ فناوری­های تصویری ست.

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