In this study we are to , resorting to Bourdieu approach regarding literary production, examine the state of producing drama as a literary genre as well as the fromation of its production field in 1960. To do so, by exploring the products and producers of the decade accompanied by application of Bourdieu's theory related to the principle of field and placement of positions in polarization in terms of closeness and distance to other fields, and the most important one " the field of power", polarization of the fields is done; and in the pure pole of production (thinking theater) a range of producesrs has been identified placed in the various positions of this pole in terms of their turning to Iranian or western presenting drama as well as the implication. As such, having built the field, formation the field of literary production in the decade is determined.
