-Disney, W. (1935).
How to train an animator, A letter to Don Graham, art Teacher from
Chounaird Art Institute. Source:
Michael Sporn Animation.
-Eco, U. (1972). The myth of superman. Diacritics, (Vol. 2, No. 1 pp. 14-22). The JohnsHopkinsUniversity Press.
-Eco, U. (1986). Travels in hyper reality. A Harvest Book, A Helen & Kurt Wolff Book.
-Lapointe, C. (2009). Coping with Capitalism: Monsters and the Specter of Execc in Spirited Away, Onmyioji, and Tokyo Babylon. A Thesis Submitted in Conformity with the Requirements for the Degree of Masters Graduate Department of EastAsianStudiesUniversity of Toronto.
-Pallant, C. (2010). Disney-Formalism: Rethinking ‘Classic Disney’. Animation: An Interdisciplinary Journal (5(3) 341 –352). anm.sagepub.com.
-Propp, V. (1928). Morphology of the folktale. Translation@1968, The AmericanFolktaleSociety & IndianUniversity.
-Raiti, G. C. (2007). The Disappearance of Disney Animated Propaganda: A Globalization Perspective. Animation: an Interdisciplinary, (Vol. 2(2) pp 153–169). Sage publication.
-Silverman, H. (2002). Groovin’ to Ancient Peru: A Critical Analysis of Disney’s “The Emperor’s New Groove”. Journal of Social Archeology, (Vol. 2(3) pp 298-322). Sage publication.
-Willoquet-Maricondi, P. (2008). David Whitley, The Idea of Nature in Disney Animation. Aldershot: Ashgate.