Document Type : Original Article

Authors

• Dalir Bayatgol ¹
• Javad Kashi ²

¹ Student; Allameh Tabatabaei University

² . Associate Professor, Department of Political Science, Allameh Tabatabai University

Abstract

Ideological apparatuses and mechanisms always try to impose spurious recognition and formulate an imaginary relationship in the minds of social actors. Cinema, in the form of the official narrative and the alienating apparatus of power, and in order to maintain the dominant political and discourse unity, can represent the rejection and denial of certain bodies and voices from the public sphere. The "alienation" of the subaltern as a form of "identity policy", and in contrast to the recognition policy, reduces the issues to defective minds and damaged characters. Any attempt to restore the political community requires reversing the hierarchy that prioritizes the official documents and narratives. "Reverse reading" of the different types of texts produced by the official and dominant narrative makes it possible to see and highlight the repressed and marginalized sections of community. It also reveals the arrangements and mechanisms of the reproduction of the exclusion and repression.

Keywords

• "
• Recognition"
• ,"
• Justice"
• Subaltern"
• Otherness"
• , "
• Dominant Cinema"

Main Subjects

• Culture studies