Document Type : Original Article

Authors

• mohammad Taghi Karami ¹
• Mojgan Farahani ²

¹ Allameh Tabatabaei

² Allameh Tabatabei

Abstract

Iranian family Experiences Major structural changes, parallel with fundamental political, economic, social and cultural changes at the macro level in the modern era. Today, because of changes that happen constantly and consistently and impose instability, can not be imagined the same form for Iranian family and at the same time can be seen the cultural characteristics of traditional, modern and postmodern in the family. Such problems cause various conflicts in the family and as a result force family to adopt various strategies to resolve conflicts and contradictions. In this research, we tried with the empirical review family, reflection and individuality concepts, to pay Iranian family strategies in Iranian cinema with semiotic approach. Studing cinema is effective to understand reflexive actions and activests strategies, because the film can be regarded as a representation system that is trying to reproduce the social reality. In this study, were studied three films "Charshanbe soori", "Zendegi moshtarak aghay Mahmoudi va banoo " and " Saadat abad ".In Conclusion of the three films, paid to Describe the Iranian family and finally, were expressed any strategies to resolve family conflicts. Regarding strategy of families can nominate the strategy of "suspension", "balance between incompatible positions" and "the importance of the forms”.

Keywords

• Family
• Reflection
• Individuality
• Social form
• Suspension